Adriaen Brouwer

(1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave.
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Adriaen Brouwer The Bitter Draught oil painting


The Bitter Draught
Måleriet identifieringen::  83949
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The Bitter Draught
Date ca. 1635(1635) Medium Oil on wood cjr
Date_ca._1635(1635) _ Medium_Oil_on_wood _ cjr
   
   
     

Adriaen Brouwer Twilight Landscape oil painting


Twilight Landscape
Måleriet identifieringen::  84509
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Twilight Landscape
Date between 1633(1633) and 1637(1637) Medium Oil on wood Dimensions Height: 17 cm (6.7 in). Width: 26 cm (10.2 in). cjr
Date_between_1633(1633)_and_1637(1637) _ Medium_Oil_on_wood _ Dimensions_Height:_17_cm_(6.7_in)._Width:_26_cm_(10.2_in). _ cjr
   
   
     

Adriaen Brouwer Interior of a Smoking Room oil painting


Interior of a Smoking Room
Måleriet identifieringen::  84511
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Interior of a Smoking Room
Date between 1630(1630) and 1632(1632) Medium Oil on wood Dimensions Height: 22 cm (8.7 in). Width: 29 cm (11.4 in). cjr
Date_between_1630(1630)_and_1632(1632) _ Medium_Oil_on_wood _ Dimensions_Height:_22_cm_(8.7_in)._Width:_29_cm_(11.4_in). _ cjr
   
   
     

Adriaen Brouwer Dune Landscape by Moonlight oil painting


Dune Landscape by Moonlight
Måleriet identifieringen::  84617
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Dune Landscape by Moonlight
Date between 1635(1635) and 1637(1637) Medium Oil on oak Dimensions Height: 25 cm (9.8 in). Width: 34 cm (13.4 in). cjr
Date_between_1635(1635)_and_1637(1637) _ Medium_Oil_on_oak _ Dimensions_Height:_25_cm_(9.8_in)._Width:_34_cm_(13.4_in). _ cjr
   
   
     

Adriaen Brouwer In the Tavern oil painting


In the Tavern
Måleriet identifieringen::  84667
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In the Tavern
Date first half of 17th century Medium Oil on wood Dimensions Height: 36 cm (14.2 in). Width: 27 cm (10.6 in). cjr
Date_first_half_of_17th_century _ Medium_Oil_on_wood _ Dimensions_Height:_36_cm_(14.2_in)._Width:_27_cm_(10.6_in). _ cjr
   
   
     

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     Adriaen Brouwer
     (1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave.

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